Monday, January 14, 2008

TV Blog Coalition: Linktastic Goodness

Here it is--our favorite posts of the week. (Now in new, streamlined format!)


  • Buzz celebrated pop culture prom week. (BuzzSugar)
  • Sandie interviewed April Matson, who plays Lori Trager on ABC Family's Kyle XY. (Daemon's TV)
  • Liz finally got around to watching (and inevitably falling in love with) Dexter. (Glowy Box)
  • Think your job is bad sometimes? Marcia listed the worst workplaces on television. (Pop Vultures)
  • Four years, six months, and two days later Rae falls for One Tree Hill again. (RTVW)
  • For those who like their British chicks with mouths like a sailor, meet the 2008 model Kate Nash (no relations to Steve, Graham, or Nash Brownies). (Scooter McGavin's 9th Green)
  • Vance preferred Cashmere Mafia over Lipstick Jungle, but both are inferior replacements to the strike-affected favorites currently ending by default. (Tapeworthy)
  • Jace's fiancee, the future Mrs. Televisionary, offers up reasons why Jace should XOXO Gossip Girl. (Televisionary)
  • Dan's reflections on Project Runway include: Victorya is no Chloe and Kevin's ouster was unjust. (TiFaux)
  • Jennifer was beyond "psyched" to chat with the boys of Psych. (Tube Talk)
  • Kate calculated odds for who will be the next Bachelorette. (TV Filter)
  • Daniel attended the Launch Party for Terminator: The Sarah Connor Chronicles and was thrilled to meet one of the stars from the show responsible for his unhealthy television addiction (theTVaddict)

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Sunday, January 13, 2008

Quick Golden Globe Thoughts

In no particular order...

  • Billy Bush is an idiot.
  • I need to get caught up on Mad Men. (Luckily, AMC will be rerunning the first season Sundays at midnight starting on January 21st.)
  • As someone who hasn't seen Mad Men (see above), I guess I can't gripe (educatedly, at least) about Michael C. Hall and Hugh Laurie losing out on Best Actor. Still, I didn't see it coming, and I'm definitely disappointed.
  • It's a damn good thing Tina Fey won for Best Actress, because after Alec Baldwin and 30 Rock lost, I was about to start a riot up in here. ("Here" being the designated living room corner of my studio apartment.)
  • On a related note, I love David Duchovny as much as the next obsessed X-Files fan, but seriously? Over Alec Baldwin? I mean, I know they like to spread out the wealth, but did they SEE that therapy scene? And Californication is barely a comedy!
And yeah, I know this isn't a movie blog, but...

  • Charlie Wilson's War was supposed to be a comedy?
  • How did Juno not win anything?! It was the best movie I saw all year! (And yes, that includes No Country for Old Men. I'm apparently one of those philistines who thinks that you should probably have to write a damn ending for your movie in order to win the Golden Globe for Best Screenplay, at least over a movie as brilliantly written as Juno. Go ahead and judge me--I'm just not a Coen Brothers kind of gal. I won't begrudge Sweeney Todd, since that's a really tough musical to adapt to the big screen, and they did a great job. And I didn't see La Vie En Rose, so I suppose I can't speak to the acting award. But seriously? They couldn't have thrown Juno the writing award?)

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Saturday, January 12, 2008

In LA? Meet the cast of Terminator: The Sarah Connor Chronicles

If you're lucky enough to live in LA, and have some free time Sunday afternoon, head on over to the LA Comic Book and Sci Fi Convention from 2-3 to see an exclusive panel discussion with the cast and producer of Terminator: The Sarah Connor Chronicles, which premieres tomorrow and Monday night on Fox. (Click on the flyer below for details.)

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Friday, January 11, 2008

Project Runway: O...kaaaay...

Unbelievably enough, I missed Project Runway Wednesday night, so apologies for the late recap! That said, it was kind of interesting to watch this week's episode after hearing some very faint buzzing about the unexpected results (as I studiously tried to avoid spoilers, of course). What manner of injustice would take place? An unfair win? An unfair loss? An...um...okay, I guess there's no third category there. But little did I know, it would be total lunacy on the part of the judges, with a completely ridiculous winner AND loser. Oy. Let's get started, shall we?

Though it was yet another challenge without models, I enjoyed the prom dress theme this week. Unlike Christian, who thinks prom is "horrible and tacky and gross." Um...has he even seen his hair? Plus, high schoolers who think they know best + designers who actually know best (or so one would assume) = awesome drama, right? Well...yes. A little too right. And I loved the interesting twist, in which the clients chose their designers. (And you know I loved it even more when Victorya asked why her client chose her, and the girl admitted that she had the last pick. Awk! Ward!)

Christian's client, God love her, thinks she's a designer, and has some very strong, very tacky opinions. Christian and his side-mullet are worried and frustrated, to the point of almost giving up after both he AND his model (and me, for what it's worth) hate the dress. Happily for me and my love of bitchy side-comments (of which Christian always has many), Tim talks him off the ledge. Because when Tim tells you to rally, you rally, goddammit!

Did anyone else think there would be way more drama when the moms came in to see the dresses? I thought for sure they would be grabbing spare fabric and sewing modesty panels onto the chest areas. Ah, well. I'll have to settle for the look of surprise on the mom's face when she realizes that all the draggy costume photos in Chris's portfolio are actually of Chris. Chris: I love you! You're so...fabulously chuckly. I also love Sweet P, who seems so wise, for example, when she refuses to make her client something too trampy, because there's no way she's going home because she listened to a teenager. Right on, Sweet P.

Ricky, in what I was sure was a loser's cut, calls his mom (a seamstress) for inspiration. But hopefully not advice, because that probably wouldn't be legit. He also cries in an interview, but that's no surprise. It's too bad Elisa isn't still here--she could use her fabric to soak up the tears, imbuing it with the essence of gay sorrow. Or happiness. Or homesickness. Sometimes it's hard to tell with Ricky. However, he does have a great quote: "When I had a girlfriend, I actually made her prom dress. ...That should've been a clue right there, right?" HA!

It's runway time! Sweet P's dress is very nice and classic, though maybe not playful enough for a high schooler. Victorya's dress is reeeally not to my taste, in that it seems like bedazzled jewels are slowly creeping up the bodice to strangle her client. Chris's dress is a great color, very flattering, and classy while being just interesting enough. LOVE it.

Kevin's dress didn't really seem to fit the prom theme to me, and wasn't very flattering. He also failed to hem it, which will likely come back to haunt him, since they showed clips of both Tim and Chris advising him to do so. Jillian's dress was interesting, and I loved the colors, but it just didn't pop for me on the runway. Christian's dress is a hot, unflattering mess, but at least looks expensive, and like a lot of work went into it.

Kit's dress is definitely cool and edgy, but possibly too casual for prom. Ricky's is way too sweetheart--not to my taste at all, and not flattering. Kind of like wrapping his model in a sparkly, pale pink gunny sack, in fact. Rami's is very clearly his style, with fascinating draping, and a lovely green color. The length is a bit flapper, but his client seems to be loving the whole thing.

Kit, Jillian, and Chris (WHAT?!) are safe. Sweet P's dress gets praised for its beauty, though Nina wonders if it's a bit too sophisticated. I'd say that's a fair question. Kevin gets knocked for the dress's red color (really?), the cut (fair enough), and the dress's general matronly-ness (I definitely don't see that). Plus, of course, the lack of hemming. Victorya's dress gets praise for being chic, young, and fun, and for its bright blue color. Hrrrm.

Christian immediately goes on the defensive, throwing his client under the bus and thus pissing Nina off. However, he does get a teeny bit of praise for the workmanship that went into the final product. Ricky says that the girl inside him would wear his dress (except that all the sparkles would be made out of tears, right?), but gets slammed for the dress's sloppy execution and boring design. Rami gets criticized for his color choice (bananas) and length (I can see that), with the general consensus that the dress was too sophisticated (read: old) for a high school prom.

Clearing up my confusion at the seeming imbalance between the top and the bottom, Nina informs us that the judges only liked two of the dresses. Okay, WHAT? Chris's was fabulous! And since Rami's wasn't that bad, they definitely could've had an even top and bottom. They love Sweet P's meticulous work and fitting, and praise Victorya's cute, modern design. And if by "modern," they mean "80's," then I completely agree.

They trash Rami's color choice and tunnel vision-like failure to design for a younger client, and hate that Christian pinned the blame for his dress on his client, and spent his time focusing on so many little details. Which, fair. He was given a bad situation, and handled it terribly. They think Ricky's dress was boring and unskilled, and that Kevin's was cheap-looking (true) and made his client look old (less true).

Victorya is the winner (UGH), and Sweet P is safe. Ricky and Rami are also safe, leaving me perplexed. I mean, if Ricky, who has been flying by the seat of his pants this whole competition, and turned in a lackluster-at-best look this week, is safe, then who...? I mean, Christian and Kevin's dresses were both pretty unfortunate, but geez, at least they look like they tried. Kevin, unfortunately, is out. Hrm. Christian's dress was definitely uglier, but he DID have a tougher challenge, and the dress was a higher difficulty level. But god, was it ugly and unflattering.

Ricky definitely should've been out on this one, I'd say, if not Christian. And Chris was the winner in my book. But then, what do I know? Much less than Nina "I love electric blue and tacky glued-on rhinestones" Garcia, that's for sure.

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On the Glowy Box: 30 Rock's Valuable Anti-Coffee PSA

I had saltines and apple cider for dinner last night. And not really by necessity, either. What does that say about me as a person? In less embarrassing news, three cheers for new episodes of Psych, starting tonight. (Huzzah! Huzzah! Huzzah!) And another three for last night's fantastic 30 Rock, of course. (Huzzah! Huzzah! Huzzah!)

Last Night:
30 Rock: Plus side: Last night's episode was all kinds of insanely funny. Minus side: Last night's episode was all kinds of insanely funny. I'm going to miss 30 Rock so much! I mean, did they HAVE to end it with an amazing montage of the characters singing "Midnight Train to Georgia"? Including C.C. via television? I experienced simultaneous elation at the extreme awesomeness of it all, and sorrow at the fact that we won't be seeing 30 Rock again for quite some time. And is it totally crazy to suggest based on that scene that 30 Rock would be able to pull off an incredible musical episode? I mean, Jane Krakowski alone has starred on Broadway! Just sayin'.

Also, Kenneth's coffee sideplot is exactly why I don't drink coffee, even though I could definitely use the extra energy. That would SO be me after a couple days, for reals. God, there's so much more to write about! The comic genius that is Edie Falco, Alec Baldwin, and their characters' shared view that sex is a competition; Grandpa Gilmore as the head of Liz's potential condo board; Liz drunkenly singing "You Oughtta Know" into a wine bottle to said condo board in the middle of the night; Interrogation Bear; "So many different types of sparrows"; "the devil's temperature"... And those are only a few of the best jokes! Daaaamn you, AMPTP!

Grey's Anatomy: Chandra Wilson finally got her episode to shine! Read my full review here.

This Weekend:
Psych: Shawn investigates a missing-person case that comes from Gus' wife. Tonight, 10 PM, USA.

Terminator: The Sarah Connor Chronicles: Sarah takes her son, John, to a small town in Mexico, where he befriends the man who will become his protector. Sunday, 8 PM, Fox.

Masterpiece Theatre: Hosted by Gillian Anderson and featuring an all-new production of Persuasion, it will be the first installment of The Complete Jane Austen. Sunday, 9 PM, PBS.

The 65th Annual Golden Globe Awards Announcement: God, that just sounds sad, doesn't it? Still, it's on if you want to watch it. Sunday, 9 PM, NBC.

Yay, Psych!

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Dexter: HOW have I not been watching this?!

My instincts told me. The TV Addict told me. Showtime set up a giant, blood-filled fountain on my way to work, for godsakes! I was even tantalized when they aired a free preview for non-subscribers. And yet, despite all the above sources telling me I'd love Dexter, I still never made the effort to get caught up. So this is me, conceding to the above sources that yes, I love Dexter. Of course. Because it's awesome.

Let's go down the list, shall we? Thrilling drama? Check. Outstanding acting by Michael C. Hall? Check. Real, sympathetic characters, despite the show's unusual premise? Check. Twisted sense of humor? Check. Engrossing storylines, to the point where you can't get up to make dinner because you have to see what happens next? Check. Plus, I majored in forensic psychology in college! Basically, there was no way I wasn't going to love Dexter. [Spoilers below, so if you haven't seen the first season of Dexter, stop reading and start watching!]

Now that we've established I love Dexter, let's talk. I just finished the first season the other night, and OH. MY. GOD. The finale was completely perfect, in that I didn't overtly see that ending coming, but realized afterward that it was inevitable, and the only real way to end the season. It just felt so...right to have Dexter's similarly sociopathic brother try and make him kill his adopted sister, thus setting him up for his own demise at Dexter's hands thanks to Harry's Code.

You know, "right" in a sick, twisted, serial killer way. Do I sound crazy? It's probably from watching too much Dexter. (Seriously, too much of that show in one sitting does make me feel kind of crazy.) I am SO amped up for the second season! Which I should have waiting for me at home, thanks to On Demand.

Ah, man. You really don't appreciate good TV until you've had to live with way, way less of it for a while. Maybe, by failing to watch Dexter as early as I should have, I was just subconsciously saving it for a time of need. If so, mission accomplished. Dexter was EXACTLY what the doctor ordered this week.

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Thursday, January 10, 2008

Grey's Anatomy: Gotta Have Faith(-a-faith-a-faith...)

I hope you, like me, enjoyed tonight's episode of Grey's Anatomy, because it's the last one we'll see until the strike is resolved. And wow, it's been a month since the last new Grey's. Which was only emphasized by the fact that tonight's installment picked up the morning after the last episode left off, leaving me scrambling to remember what, exactly, had happened the day before. On the plus side, Chandra Wilson (fresh off her People's Choice Award win for favorite scene-stealing star) finally got her Emmy showcase episode tonight. In fact, she was the narrator! (Needless to say, a huge improvement over the usual painful narration.)

Bailey: Unfortunately, Chandra Wilson's showcase was Bailey's nightmare, as her son was crushed by a bookcase after Bailey may have left the baby gate open in her rush to get to work in the morning, leaving Tuck with serious internal injuries, and ultimately ending with Tucker moving out. Okay, I have to mention the Bailey/Hahn confrontation (when Hahn wouldn't let Bailey into the operating room), because the face-off between the two strongest women in the hospital was In. Tense. (Hahn clearly never learned not to get between a mother bear and her cub.) I loved Bailey's warning to her afterward: “You’re new here…you don’t know me. And if what you did today ends up saving my son’s life, I’ll thank you for it. But if I never have to look at you again after that, that’ll be alright with me.”

However, as often happens on television dramas, the crisis served as a catalyst for soul-searching all around. First and foremost, of all the people I never expected to turn to faith, Bailey allows a patient of Dr. Hahn's who claims to be a healer (played by the very recognizable and always great Glenne Headly) to help her son, who can't breathe on his own after surgery. Meanwhile, everyone watches from outside the room, exchanging meaningful glances while a moving song plays ("Broken," by Lifehouse). And I may or may not have teared up a little. Shut up--it's Bailey's son! And he was totally healed!

Meredith and Derek: In less uplifting news, Meredith and Derek are off again after George accidentally spills the beans about Derek's kiss with Rose. (What's that? You forgot they were on again? Yeah, me too.) You know what? I'm kind of with Meredith on this one (and you guys know I wouldn't make that decision lightly). Yeah, she's all dark and twisty and damaged and whatever, but the dude's building them a house when they've only been dating exclusively again for one night, and he just kissed someone else? Plus, she's got a good point on the trust thing, since he didn't tell her that he was married the first time they were together. I mean, maybe she's looking for an excuse out, but it's a pretty good excuse is all I'm saying. Aaaand, of course, he immediately asks Rose out to dinner, basically proving Meredith's point that he just wants someone who wants what he wants, and not Meredith in particular. Here's hoping they stay off again.

George: Oh, man. Oh man, oh man. I think the definition of awkward is having your husband's clueless mom show up with a bunch of hand-knit baby outfits after your husband left you for a co-worker. Or maybe it's accidentally telling your ex-lover's mom about his adultery, his failed marriage, his failed intern test, and everything else he's been keeping from her over the past year. Ouch. And yes, Mrs. O'Malley is upset. Especially since Catholics don't believe in divorce. Props to George, though, for recognizing that he isn't the guy he wanted to be, and for refusing to bail out and let his mom take care of him. Be an adult, George!

Potential Couples: Potential Couple #1: Alex and Izzie. I mean, he called her a "bright yellow light." Plus, the healers agreed that she "brightens him up." And it seems like he might need some emotional support in the near future, since his childhood trauma story arc appears to be slowly floating to the surface, despite some blocked chakras.

Potential Couple #2: George and Lexie. God, I hope this is just a friendship. But he did kind of ask her to be his roommate, and she did crash on his couch, and they do seem to have a bond... Oh, dear. Can George not be single for a little while? I liked single George!

Potential Couple #3: Hahn and Sloan. First, I love that she and Callie are new BFF, allowing them to mock Sloan together. Second, I like that someone is learning from the mangled remains of failed relationships that are scattered about the hallways of Seattle Grace. Especially with incidences like the confrontation with Bailey, it's important to be able to leave yourself at the door with a job like Hahn's, and a relationship with Sloan (pretty though he may be) would only make that more difficult.

Also of note:

  • I wonder if Cristina's subtle emotional journey from robot to living, breathing human during the course of the episode will raise her in Hahn's esteem, or lower her?
  • I really loved the character detail that Lexie was so afraid to refuse Meredith's sisterly peace offering (a gross breakfast) that she knowingly ate something she's allergic to. It's just so...descriptive of her mental state.
  • Okay, I really, really hope that Izzie's whole "I want what Cristina has, with the goals and the self-awareness" speech leads to Izzie actually having what Cristina has, because she has become weaker and weaker as a character as the years have gone by. Brief moments of self-discovery and strength (founding the free clinic, for example) are all but forgotten at this point, and it's a bummer, because she used to be pretty cool. (Remember that locker room scene when she stripped down and eviscerated Alex for putting up copies of her lingerie ads all over the place? What happened to her?)
At any rate, it's been a season with some serious ups and downs, but it ended on an up note, so here's hoping the strike is resolved soon, so we can see what happens next!

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Santa Claus is Kickin' the Grinch's Ass

Just a quick triumphant post to note that Santa Claus is Comin' to Town, Rankin and Bass's anti-Soviet masterpiece, came in fifth among TiVo'd holiday shows. Hells to the yeah.

Here's the full list:
1. Rudolph the Red Nosed Reindeer CBS 12/4
2. Frosty the Snowman, CBS 12/7
3. It's A Wonderful Life, NBC, 12/14
4. Shrek the Halls, ABC, 12/11
5. Santa Claus is Comin' to Town, ABC, 12/5
6. The Polar Express, ABC, 11/30
7. I Want a Dog For Christmas, Charlie Brown, ABC, 12/10
8. The Santa Clause 2, ABC, 12/23
9. Frosty Returns, CBS, 12/7
10. Dr. Seuss' How the Grinch Stole Christmas, ABC, 12/8

Well-played, America.

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On the Glowy Box: New! 30! Rock!

NEW 30 ROCK!!! (Can you tell I'm excited?) Bad news: It's the last new 30 Rock until AMPTP comes to its senses. To get you warmed up for tonight, here's an interview with Tracy Morgan.

Tonight:
Ugly Betty: Amanda visits a psychic for insights into her father's identity; Betty pushes Daniel to use real models during fashion week; Wilhelmina gets some unexpected news. 8 PM, ABC.

30 Rock: Jack meets with German TV executives to close a deal on a cable network; Liz must appear before the co-op board before she can purchase an apartment she wants; Kenneth tries coffee for the first time when Tracy buys a cappuccino machine. 8:30 PM, NBC.

Grey's Anatomy: Bailey's family faces a medical trauma just as her marriage falls apart; George's mother makes a surprise visit; a faith healer challenges Erica and Alex's belief in traditional medicine; Derek must deal with the aftermath of his kiss with Rose. 9 PM, ABC.

Leonard Cohen: I'm Your Man: Performances by U2, Rufus Wainright, Nick Cave and others highlight a tribute to the career of the prolific Canadian songwriter. (Yeah, I know it's two years old, but Leonard Cohen is amazing, and Nick Cave singing Leonard Cohen is so awesome it blows my mind.) 9 PM, Sundance.

Make Me a Supermodel: The supermodels move into their New York apartment and check out their competition. 10 PM, Bravo.

I'm feeling pretty good about tonight, you guys. Savor these new episodes while they last...

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I WISH the Writers Could Tap That...

Sorry to hit you with two videos in a row, but I couldn't resist. I mean, it's Zach Braff! Being all adorable, AND supporting the WGA! Plus, you know I love these Speechless videos. So how about it, AMPTP? Will you go back to the table and let Zach tap that?

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Wednesday, January 09, 2008

Writers...who needs 'em?

Imagine your typical crime procedural. Now, imagine it without writers. Actually, don't bother--someone else has already done the hard work for you. And the hilarious (and pointed) result is Murder: Unscripted, a video starring procedural luminaries such as Chris Noth, Kathryn Erbe, and BD Wong.


[via Best Week Ever]

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On the Glowy Box: Help!

Okay, I just finished the first season of Dexter (which, holy crap...more later), and I can get caught up on the second season via On Demand, so I need to get something new from Netflix. Right now, season two of Weeds is at the top of my queue (I really liked the first season), but I just heard a few negative things about the show post-first season, so I put it to you: Is Weeds worth getting caught up on, or should I turn my attention elsewhere?

Aaanyway, I got totally sucked into Dexter last night, so aside from Janice Dickinson Modeling Agency (recap here), I have nothing new to report. So let's move on to...

Tonight:
Cashmere Mafia: Mia must fire her mentor; Zoe has a battle of wills with a sexy stay-at-home mom; Caitlin gets serious about her new girlfriend; Juliet and Davis try couples counseling. 10 PM, ABC.

Project Runway: The contestants design dresses for a group of teen girls going to the prom. 10 PM, Bravo.

What would we do without Project Runway?

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The Golden Box Awards: Liz's Take on 2007 (Part Two)

Welcome back to the Golden Box Awards! (For the first half, in which the Important Awards were given out, head here.) Let's get this show on the road, shall we?

Most Improved: Desperate Housewives. With the addition of the brilliant Dana Delaney (and the intriguing mystery she brings with her), Desperate Housewives is right back on track this season, after losing its way (to put it kindly) in its second and third years.

Best Show You're Not Watching: Frisky Dingo. Yeah, it's a cartoon. Yeah, each episode is 11 minutes long. But it's insanely hilarious, incredibly quotable, and rewards repeat viewers in the same way Arrested Development did, with impressively elaborate running jokes, and jokes set up several episodes in advance. Seriously, watch it. New second season episodes finally return March 2nd on Cartoon Network's Adult Swim (so keep an eye out for marathons, since you really have to watch it from the beginning), and the DVD of the first season will be out March 25th.

Best Sidekick: Sam Axe, Burn Notice. Bruce Freaking Campbell, people. BRUCE CAMPBELL! Also, Sam totally kicks ass.

Most Deserving of a Kick in the Teeth: The Alliance of Motion Picture and Television Producers (AMPTP). For obvious reasons.

Most Testing of Fan Loyalty: America's Next Top Model/Tyra Banks. If you're going to fix the results of your reality show to promote (poorly-named) outside projects, you should probably make sure that the winner is a) deserving, and b) qualified to compete on the show in the first place, ethically and contractually. Also, you should make sure that there isn't any incriminating evidence out there.

The Arrested Development Memorial Award for 'Tragically Premature Cancellation': Veronica Mars, of course. And its cancellation became even more tragic when I saw the awesome season four pitch, a Hail Mary pass by Rob Thomas in which Veronica was a junior FBI agent. RIP, Veronica Mars. You suck, CW (see above award for more evidence).

The Janice Dickinson Award for 'Craziest Bitch': Paula Abdul. Because, wow. I mean, just, WOW. Who knew her crazy well ran that deep? (And, more mysteriously, who knew it would make for such boring television?)

The Harsh Realm Memorial Award for 'Biggest Disappointment': Studio 60. Amazing cast, Aaron Sorkin, great guest stars, Aaron Sorkin, Tommy Schlamme, Aaron Sorkin... And yet, well...let's not revisit the past. Let's just sit quietly for a moment and reflect on the damage one man's ego can do to what should have been (and began as) a brilliant piece of television.

And that's it for the Golden Boxes this year! Here's hoping 2008 brings a speedy and fair resolution to the writers' strike, and more great television for us to talk about!

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Tuesday, January 08, 2008

Janice Dickinson Modeling Agency: Trouble, with a capital "T"

Wow. I always knew this show was trivial and ridiculous, but tuning in right after watching the New Hampshire primary coverage provides quite a jarring contrast, I have to say.

We rejoin Janice and company at the Ashley Paige photo shoot, where Ashley and Janice are struggling for control. Obviously, Janice wins the staredown, and once dominance has been established, the shoot goes more smoothly. And smoothly doesn't work for Janice, so she chooses this as the time to confront Alexis about her scars and bruises. In that her patented, sensitive style: "Are you slashing yourself? Because if you are, I'll know it." Alexis admits to cutting back when she was fourteen during a hard time in her life, but says that it's completely over now.

To her credit, Janice does take the conversation to another level, offering help, empathy, and support. She shares the fact that her father was a bad guy, and Alexis says that hers was, as well. Janice encourages Alexis to come talk to her if she gets the urge to hurt herself again. Aww, it's actually fairly touching. Though as I look at Alexis, I wonder if she's taking control of her life right now by starving herself, because seriously, you can count her ribs. Oh, and the way the Ashley Paige shoot almost fell apart has apparently made Janice question her and Peter's partnership even further. I'm guessing that might be important later. Because otherwise, this show has some really random editing.

Back at the agency, Nathan (Janice's long-lost son and head of the agency's commercial division) is back from a trip to Europe and ready to work. But first (man, we're jumping around a lot), a casting for Genlux Magazine, a high-end fashion publication. Or so we're told. They're looking for 2-4 sophisticated female models for an editorial spread. After looking at the lineup, the clients go over photos and mention that they like Desiree, at which point Janice totally trashes her, saying she's a [w]itch with a terrible attitude. Peter isn't quite on board with this strategy of booking models, oddly enough. The clients end up choosing Lakiska, Daria, and Crystal.

At the shoot, Janice says she'll stay in the background, but (incredibly predictably) this doesn't end up being the case. She rags on Lakiska's performance to the extreme, yells at Daria for getting married to someone who may not support her career (while impersonating her sex life, which pisses Daria off), and accuses her of being pregnant. We also get a sidebar about Crystal's extreme weight loss, which, true. The girl's anorexic, and clearly realizes it (and its impact on her health) in interviews, though she thinks she needs to keep it going in order to book jobs. Modeling is so sad! At least Janice is concerned...though when I think about how much weight she must've lost to get Janice worried? Wow.

Meanwhile, Nathan meets with his dad, Simon Fields, whose company works with Jennifer Lopez's company in some capacity. And, success! He gets the hook-up with Gina from Sweetface, who comes by to look at some models for an upcoming project with one of J.Lo's lines (justsweet), which is apparently a huge deal. She takes a look at the Latina models as well as Janice's usual suspects, and picks out Ligia, Daria, and Lisa to try on some clothes and to keep them on file.

Next client: Rufskin Denim, a risqué gay denim company. They're looking for models for their website, and wow. There is a lot of ass and package showing when the guys try on the clothes. Like, jeans with a giant swatch cut out of the rear area. And denim speedo-type shorts. Or underwear? I...don't understand where you could wear these items. And I'm happy to stay in the dark, thank you very much.

J.P. is a little uncomfortable, and seriously, he can't be the only one. He's especially worried that he'll be typecast as a gay model, but he sucks it up and auditions like a pro. Rufskin chooses Danny, Michael, Maurice, and Christian--more models than originally planned, and two models from the Latino division.

Um, elsewhere and very randomly, Chris Jones hosts a (mostly) male model poker night at his place...in his tighty whiteys. There's some "you're gay, Kehoe" trash-talking, there's some talk of the Janice/Peter tension, and general drunken merriment. Honestly, it's not as entertaining as one might hope.

At the Rufskin shoot, though, Trouble Strikes. As always. The boys get all denimed, leathered, taped (?!), ass-tanned, and extremely greased up. (SO disgustingly greasy!) It may or may not be gay soft porn, you guys. Janice shows up, and notices alcohol on set. She's extremely uncool with it, and asks that it be taken away. Then, she chews out Maurice for drinking. Then, the episode's over. Sigh.

Next week: More trouble in paradise, as always. Also, greased-up dudes getting uncomfortably close (for them) to other dudes' packages. Man, this show us nothing if not classy.

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On the Glowy Box: Still not much...

It case anyone is curious, I didn't watch Colbert and Stewart last night. It just feels too much like crossing the picket line to me; networks shouldn't be able to feel comfortable bringing shows back without writers, as if fans will tune in either way. Just my two cents. Thus, I went to the movies last night and don't really have any new TV opinions to report. (Sweeney Todd, however, was awesome.)

Tonight:
Bones: Pilot episode. Skeletal remains found at the bottom of a lake turn out to be those of a congressman's former aide. 8 PM, Fox.

House: Pilot episode. Dr. House (Hugh Laurie) and his team try to save the life of a kindergarten teacher (Robin Tunney) who began speaking gibberish and passed out in front of her students. 9 PM, Fox.

Cash and Treasures: Kirsten searches for valuable petrified wood. 9 PM, Travel.

Janice Dickinson Modeling Agency: Janice discovers disturbing news about her models. 10:30 PM, Oxygen.

Also, New Hampshire! So my TV will probably be alternating between CNN and the pilot episodes on Fox (because seeing the pilots again for shows you've been watching is surprisingly fun).

UPDATE: Don't forget to vote for Pushing Daisies for the Best New Comedy People's Choice Award! Or, you know, whichever (less awesome) show you feel deserves the honor. Much like in New Hampshire, polls will only be open for a few more hours!

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The Golden Box Awards: Liz's Best of 2007 (Part One)

Last year we had the Geigers, but this year Glowy Box is giving out Golden Boxes. Because 1) making up award names is fun, and 2) the Golden Globes are gonna suck this year. First up: the Important Categories. You know, the ones covered by all the mainstream awards shows. Just so I can get my two cents in.

Best Comedy: 30 Rock. If you watch the show, you'll realize why this needs no explanation. If you don't watch the show, I feel sorry for you, because you have never experienced the joy of "Werewolf Bar Mitzvah." 30 Rock is, without a doubt, my favorite show on television right now.

Best Drama: Believe it or not, I'm going to sit this one out, since I'm fairly certain I don't watch any of the best dramas on television right now. (Stop sucking, Grey's Anatomy!) It's something I hope to rectify soon with the help of Netflix, but until then...um...we'll leave this one up to the people who watch better shows than I do.

Best Actress in a Comedy: America Ferrera, Ugly Betty. She's got it covered on all fronts: impeccable comic timing and delivery, great physical comedy, and heart-breaking vulnerability. And she does it all behind glasses, braces, and awful hair and clothing. This one was kind of a gimme.

Best Actor in a Comedy: Alec Baldwin, 30 Rock, hands down. For irrefutable evidence, I point you to this clip of Jack helping Tracy with his therapy.

Best Actress in a Drama: Chandra Wilson, Grey's Anatomy. Because Bailey rocks, dammit (unlike virtually everything else about the show this past year), and it's time Chandra gets her due. She has done an extraordinary job turning Bailey from a one-dimensional (yet still awesome) hardass into a multi-faceted, relatable character.

Best Actor in a Drama: Hugh Laurie, House, for the second year running! Congrats, Hugh. You ARE the show. Seriously. It would be terrible without you. But far from holding what could be a lame, formulaic show together with both hands, you've almost singlehandedly turned House into great television, season after season.

Best New Show: Flight of the Conchords. As any of my friends will tell you, this show made me fairly obnoxious to be around over the summer. It's just so quotable! And singable! And crazily random! And hilariously awesome in each and every possible way! In fact, I have "Albi the Racist Dragon" stuck in my head right now. [Honorable Mention: Pushing Daisies, which is also extremely awesome.]

Tune in tomorrow for the second half of the Golden Boxes! (Containing the somewhat less important, but possibly more strongly opinionated, categories.)

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Monday, January 07, 2008

On the Glowy Box: If it were dancing gladiators, I might watch...

Happy Monday, everyone! Hope you had a lovely weekend. Mine was spent enjoying the unseasonably warm weather (yaaaay, global warming!) and beginning the mighty task of getting caught up on Dexter.

Over the Weekend:
Women's Murder Club: Does anybody else out there watch this show? Because seriously, it's pretty solid "wiped out on the couch" Friday night fare. And I do appreciate the large number of female leads who aren't obsessed with landing men, or being housewives, or what have you. Anyway, I'm really hoping they don't hook Lindsay up with the FBI guy. Because that would be way too cliché. But, probably less cliché than Lindsay sleeping with her ex-husband, so maybe it would actually be a step in the right direction. Sigh. Shut up- sometimes I need to watch mindless girl power crime dramas on Friday nights.

Desperate Housewives: Dear AMPTP- I demand that you negotiate a fair deal immediately, so that I can learn the contents of Aunt Lily's note. Love, Liz (Read my full recap here.)

We've got a lot of replacement reality shows tonight (plus No Reservations), along with a couple new episodes of scripted shows I don't watch (and some sports--go LSU!). Thus...more Dexter for me! Or, you know, something that involves leaving the safe confines of my apartment. We'll see.

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No Reservations: Season Premiere Tonight

Attention foodies, Top Chef judging panel fans, and anyone else looking for some good viewing tonight: The fourth season of Anthony Bourdain: No Reservations premieres tonight at 10 PM on the Travel Channel. He'll be headed to Singapore, which sounds delicious. (To be fair, though, I'm pretty hungry right now.) Check out the preview below:

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New Year's Resolutions

I know, I know, I'm a little late on this...but since I was sick for the first week of 2008, I'm gonna say it doesn't officially start on Glowy Box until now. So, in that spirit, here are my resolutions:

  • Blog more. Yeah, I have a crazy job that often keeps me working until all hours of the night, but there's always time for more TV, right? Thus, I resolve to make more time for blogging, especially on weekends. Either that, or kidnap Lori and make her start writing for Glowy Box again...
  • Continue to support the WGA. This means that I won't be watching "scab" reality shows brought in to replace scripted shows, I'll be avoiding streaming internet content (I'm talking about you, Hulu), and I will absolutely not be presenting an award at the Golden Globes, no matter what kind of fancy gift bag they may offer me. It also means I'll keep covering the WGA's efforts, and helping them out to the best of my ability as a TV blogger.
  • Catch up on all those shows I should've been watching. There are about a zillion great shows out there, some current and some just fondly remembered, that I've never seen. And, since I've got a few holes in my TV-watching schedule (see above resolution), I just signed up for Netflix in order to rectify this problem. First up: Dexter, since I also just subscribed to Showtime.
Here's hoping I'm able to fulfill all three resolutions, unlike last year's unrealistic ones. (Exercise more? Puh-leeze. That one was a goner from the start, even before I sprained my ankle.)

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Sunday, January 06, 2008

Desperate Housewives: Midseason Finale

Last time on Desperate Housewives, as you may recall, a tornado hit Wisteria Lane. Of course, you may not recall, since it feels like it aired a million years ago. Unfortunately, tonight's first-rate episode was the last one you're going to see for a while, since it was the only remaining pre-strike installment. Plus side: At least we got some post-tornado answers and closure. Minus side: We also got a big, juicy, mysterious cliffhanger. Sigh...

First things first, I suppose. The survivors: Lynette's entire family (not even Marc Cherry is that cruel), Carlos, Bob and Lee (whom I had assumed a sleep-deprived Susan killed right around the Great Fountain Brawl of '07, since we hadn't seen them in a while), and pretty much everyone else you'd expect. The not-so-lucky: Victor, Ida, Sylvia the Stalker, and the aforementioned fountain. Oh, and Carlos's accountant, Al. Ruh-roh.

Gabby: Having begun the season involved with two rich men, Gabby now finds herself much less well-off. She's been cut out of Victor's will, since his father controls the family money and was aware of the affair. In fact, he kicks her out of the funeral after threatening to tell the entire congregation that she's a "cheating, lying whore." SNAP! And I gotta say, while Dad's right that she doesn't look too broken up, he doesn't seem very upset either. Unluckily, Gabby doesn't have any better luck with Carlos's money, since the accountant is dead, and his widow shredded all the files involving off-shore accounts.

Unfortunately for Gabby, and more unfortunately for Carlos, that's far from the worst of it. Initially, they're all, "we're together for richer or poorer, in sickness and in health." And it's touching and adorable. But oh, burn, a bandaged and hospitalized Carlos hasn't told Gabby yet that he's blind. His doctor thinks Carlos should give her a little credit. Carlos: "You don't know Gabby." True that, Carlos. True that. This should be interesting.

Lynette and Mrs. McCulskey: After finding out that Ida saved her children's lives by making them take shelter under the stairs, even though there wasn't room under there for her, Lynette is determined to do right by her in death, as she didn't in life. Fun fact: Ida was a pro baseball player during WWII! Thus, Lynette saves Ida's ashes from her money-grubbing niece and nephew so that she and Mrs. McCulskey can scatter them at the baseball field, per Ida's wishes.

Of course, Lynette is involved, so it's a madcap caper in which Lynette switches Ida's ashes out with vacuum cleaner dust, breaks into the park at night, and dumps the ashes all over the field while running away from the surprisingly large security force. Mrs. McCluskey did get a chance to read a nice poem first, though, so that's something. The whole thing is a little touching, a little funny, and a little gross (ashes everywhere). And Lynette and Mrs. McCluskey get in some much-needed bonding, so all's well that ends well, I suppose. Unless you're Ida.

Bree and Susan: Bree, Orson, and baby are staying with Susan and Julie (Mike's in rehab for a month) while their house is roofless. Susan: "Please, this is what best friends do! (...Right before their friendship ends.)" Ha! But what first seems to be certain disaster turns into awesomeness for Susan and Julie as Bree cooks their meals, cleans their house, and does their laundry. Unfortunately (and I seem to be saying that a lot tonight), there's trouble on the horizon for everyone involved.

Bree's contractor, whom Bob and Lee referred her to, backs out after finding out that his ex moved in with some other guy. And contractors are understandably a rare commodity post-tornado. Thus, some gay matchmaking is necessary. Unfortunately, Walter is a three, and Bob and Lee only know nines. "And in the gay world, three doesn't go into nine." -Lee (hee!). "Well, we'll just have to find him someone who's not good at gay math." -Bree (hee!!). OH MY GOD, is she going to whore out Andrew?

Answer: YES, and it leads to the most awkward dinner party EVER. Actual line: "Oh, I can only imagine the fun you two would have in a boot shop." -Orson, after Bree mentions Walter and Andrew's shared love of boots. Once he realizes he's being set up, Andrew demands a flat screen TV in exchange for flirting with Walter to raise his self-esteem and thus get Bree's roof fixed. Julie overhears, and Susan is Not On Board--she wants Bree to stay forever, and I can see why. "I've had a taste of ironed pillowcases, and I'm NOT going back!" Man, that's like sleeping in a four-star hotel!

Thus, she sneaks downstairs and torpedoes the dinner party with remarks about Andrew's predilection for hot young guys, and his and Walter's vast age difference. After implying that people will assume Walter is "paying for it," the evening is pretty much sunk (Susan and subtlety don't exactly go hand in hand). And Bree's pissed. Susan confesses that Bree's presence is really helping her to hold things together with her pregnancy and Mike in rehab. Bree understands and offers chocolate chip cookies, and thus Bree is finally the mother to Susan that neither of them ever was to their own children. Aww.

Last but certainly not least, Katherine and Adam: Unsurprisingly to no one, Katherine hasn't quite gotten over the revelation that Adam slept with Sylvia back in Chicago. She kicks him out, but not before he finds The Note while packing up his stuff. You know, the presumably incriminating one Aunt Lily wrote while on her deathbed, which has been sitting under said deathbed, gathering dust and making us impatient, for what seems like years. Adam subsequently informs Katherine that he's leaving her, because she out-betrayed him by blaming "what happened" on her ex-husband when it was actually her fault. Blaming what?! What did the note say?? Argh!

After Adam leaves, Katherine burns the note, but Dylan overheard enough to go sifting through the fireplace ashes, and pieces together the fragments. (Least effective fire ever?) According to Mary Alice, in the note she finds the truth she's been looking for, but wishes she hadn't. What truth?! Damn you, producers! Go back to the table and negotiate now, so that we can find out what the heck happened in that house!

I guess that's it for now, folks. Sorry! It's been fun! (A lot more fun this season than in the past two seasons, specifically.)

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